In “You are responsible – Part 1” I have talked about how to prepare the first session with a new vocal coach. Today, I will give you some tools for taking the course of a vocal coaching session into your own hands.
Sometimes, it’s very tempting to take a subordinate position towards your coach during a session. I’m telling you: don’t!
I know, your coach is very wise and an incredible singer, has years of experience, great taste and amàzing technical skills. It is SO difficult not to feel overwhelmed by this talent… OK, let’s be serious :-p
Why are you in the studio? Why are you going to pay him / her good money? Why did you bother to get in your car (or bike) and drive all the way to have this session? If you’re hesitating even only for a second right now, I suggest you go back home and think about it. If you have answered these questions right away: Good for you!
Because your coach needs your input in order to be able to help you the best he / she can. If your coach is of the kind that I find the best, the session will start with questions that resemble these a lot.
- Do you have any reflections / questions on the last session?
- How did you work at home?
- Did you progress?
- What were the problems that occurred?
- How did you (try to) solve them
- How can I be of service to you today?
And that last question is the most important one, to my opinion. After all, your most important goal as an artist – and I hope you consider yourself to be an artist – is to find and develop your own personality. You don’t want to copy the personal taste of your coach. Of course you’re inspired by it. But copying it, is something else. Your coach will teach you the basic technical skills that every singer needs. He / she should also challenge you to try sounds, styles and techniques that you have never tried, in order to broaden your view on your own voice and artistic identity. But what you do with those techniques, is completely up to you. Don’t forget, technique is only a tool.
The real goal is telling your story. Your audience doesn’t care about your superb technique – at least not when your audience is not a room filled with voice nerds ;o) Your audience wants to be touched by your story. And you are the only one that knows how that story goes. So you are the one that has to decide which techniques you need in order to have the freedom to do so without ruining your voice. That is why yoù have to decide what you want to work on today. Of course, there are moments when you need your coach to take charge. Sometimes, being guided and inspired is exactly what you need.
And what about during the session? Have you ever had the audacity to say things like “This is not what I want to work on.”, “I’d like to go on to my next question.” or “This is not the sound I’m looking for.”? If you had: Good for you! ;o)
Let’s face it: Your coach is also a human being that can end up being caught up in a certain subject. Maybe in a sound that he / she really likes – but you don’t. Or he / she is REALLY ambitious for you and wants you to nail the sound a third higher than you need, while you want to use the remaining time for something else. Maybe it’s more important for you to work on the verse instead of the chorus (which you have been working on for already half an hour…). Or your coach can’t stop talking about something theoretic and you just really want to sing…
It’s possible that your coach will not agree with you because, for example, you need to work on this first, in order to be technically able to work on your issue. But if you have expressed your opinion and feeling, you will have started a functional communication. And you will not go home frustrated, because you feel you haven’t dealt with the issue you wanted to work on.
So, if you want to get the most out of your session, think about the questions I lined up and especially the last one. Tell your coach all the issues you want to work on in the beginning of the session, so he / she can divide the lesson or save some of the issues for another session. Stay alert during the session, keep track of the time and never stop communicating. A voice session is supposed to be a two way street.
Oh, and one more thing. Do not EVER say something like this, 10 minutes before the end of the session: “Oh, I have an audition tomorrow. Can we just go through this song one time?” At least if you don’t want to witness your coach having a heart attack.
Next time, I will talk on how to take responsibility while you study at home.
Have fun working with your coach! ;o)